{"id":6838,"date":"2020-11-04T00:00:00","date_gmt":"2020-11-03T21:00:00","guid":{"rendered":"https:\/\/www.julesverne.com.tr\/\/blog\/unesco-somut-olmayan-kulturel-miras-listelerinde-turkiye\/"},"modified":"2021-03-22T10:24:33","modified_gmt":"2021-03-22T07:24:33","slug":"unesco-somut-olmayan-kulturel-miras-listelerinde-turkiye","status":"publish","type":"post","link":"https:\/\/julesverne.com.tr\/en\/travel-blog\/unesco-somut-olmayan-kulturel-miras-listelerinde-turkiye\/","title":{"rendered":"UNESCO Somut Olmayan K\u00fclt\u00fcrel Miras Listelerinde T\u00fcrkiye"},"content":{"rendered":"

\"T\u00fcrk<\/p>\n

Atalar\u0131m\u0131z\u0131, ananelerimizi, ge\u00e7mi\u015fimizi yans\u0131tan ve koruyan de\u011ferler sadece dokunabildi\u011fimiz, g\u00f6zle g\u00f6rebildi\u011fimiz eserlerden ibaret de\u011fildir. Bir s\u00f6z, bir ses kimi zaman bir kutlama gelene\u011fi de bizi ortak paydada bulu\u015fturan bir k\u00fclt\u00fcrel miras olabilir. B\u00fcy\u00fck dedelerimizden, anneanne ve babaannelerimizden g\u00f6rd\u00fc\u011f\u00fcm\u00fcz, duydu\u011fumuz, hikayelerinde dinledi\u011fimiz \u00f6yle \u00e7ok somut olmayan de\u011fer var ki…<\/p>\n

G\u00fcn\u00fcm\u00fczde bu somut olmayan k\u00fclt\u00fcrel miraslar aras\u0131nda kimi gelenekleri devam ettiriyoruz belki ama nesilden nesle korunacak bir\u00e7ok miras\u0131m\u0131z var hala. Y\u00fczy\u0131llard\u0131r s\u00fcregelen ya\u015fam\u0131, payla\u015f\u0131m\u0131, sanat\u0131, beraberli\u011fi simgeleyen bu de\u011ferlerin devaml\u0131l\u0131\u011f\u0131 i\u00e7in bizim ve gen\u00e7 nesillerin de fark\u0131ndal\u0131\u011f\u0131n\u0131n olmas\u0131 \u00e7ok k\u0131ymetli. Biz de Jules Verne olarak somut olmayan k\u00fclt\u00fcrel miraslar\u0131m\u0131z\u0131n korunmas\u0131 bilinciyle bu gelenek ve de\u011ferleri derledik. Aral\u0131k 2019 tarihi itibariyle T\u00fcrkiye\u2019nin Somut Olmayan K\u00fclt\u00fcrel Miras Listeleri’ne kay\u0131tl\u0131 18\u00a0de\u011feri:<\/p>\n

Meddahl\u0131k Gelene\u011fi (2008)<\/strong><\/p>\n

\"\"<\/strong><\/p>\n

T\u00fcrk seyirlik oyunlar\u0131n\u0131n en \u00f6nemli gelene\u011fi olan meddahl\u0131k ya\u015fan\u0131lan zamana ve mek\u00e2na g\u00f6re kendisini s\u00fcrekli yenileyen, dinamik bir yap\u0131ya sahip. Y\u00fcksek yetenek ile dramatize edilen, hik\u00e2yeye n\u00fckteler kat\u0131lmas\u0131 ile seyirci s\u00fcr\u00fckleyen meddahl\u0131k gelene\u011fi geleneksel g\u00f6rsel sanatlar aras\u0131ndad\u0131r. Tarihimizde bir\u00e7ok de\u011ferli meddah aras\u0131ndan en bilinenleri ise \u0130smail D\u00fcmb\u00fcll\u00fc ve Erol G\u00fcnayd\u0131n olmu\u015ftur.<\/p>\n

Mevlevi Sema T\u00f6renleri (2008)<\/strong><\/p>\n

\"T\u00fcrk<\/strong><\/p>\n

Hz. Mevlana’dan ilhamla yarat\u0131lan sema t\u00f6reni d\u00fcnyan\u0131n en mistik danslar\u0131ndan biri. Sema t\u00f6renleri k\u00e2inat\u0131n olu\u015fumu, insan\u0131n dirili\u015fini, Y\u00fcce Yarat\u0131c\u0131\u2019ya olan a\u015fk ile harekete ge\u00e7i\u015fini fark edip “insan-\u0131 kamil” e do\u011fru y\u00f6neli\u015fini ifade ediyor. Mevlevi sema t\u00f6renleri meditasyona yard\u0131mc\u0131 olan musiki e\u015fli\u011finde belli rit\u00fceller ve kurallarla yap\u0131l\u0131yor.<\/p>\n

\u00c2\u015f\u0131kl\u0131k Gelene\u011fi (2009)<\/strong><\/p>\n

Arzu ve \u00fcmitleri dile getiren, halk\u0131n ya\u015fay\u0131\u015f\u0131 ve tarihini yans\u0131tan, s\u00f6zl\u00fc k\u00fclt\u00fcr\u00fc devam ettiren \u00e2\u015f\u0131k gelene\u011fi T\u00fcrkiye’de ozan, \u00e2\u015f\u0131k, halk \u015fairi, saz \u015fairi olarak da biliniyor. T\u00fcrk s\u00f6zl\u00fc \u015fiir sanat\u0131 \u00e7a\u011fa, mek\u00e2na g\u00f6re de\u011fi\u015fse de yeni t\u00fcr, s\u00f6yleyi\u015f ve yarat\u0131c\u0131l\u0131k yollar\u0131 ile \u00f6z\u00fcn\u00fc korumaya devam etmektedir. Saz enstr\u00fcman\u0131 ile b\u00fct\u00fcnle\u015fen \u00e2\u015f\u0131kl\u0131k gelene\u011finin en \u00f6nemli de\u011ferleri aras\u0131nda \u00c2\u015f\u0131k Veysel, Ne\u015fat Erta\u015f, \u00c2\u015f\u0131k Mahzuni \u015eerif, \u00c2\u015f\u0131k Daimi yer al\u0131yor.<\/p>\n

Karag\u00f6z (2009)<\/strong><\/p>\n

\"T\u00fcrk<\/strong><\/p>\n

T\u00fcrk bilim insan\u0131 ve sanat tarihi ara\u015ft\u0131rmac\u0131s\u0131 Metin And\u2019a g\u00f6re 16.yy\u2019da M\u0131s\u0131r\u2019dan geldi\u011fi d\u00fc\u015f\u00fcn\u00fclen Karag\u00f6z oyunu gelene\u011fi geleneksel T\u00fcrk tiyatrosunun ba\u015fl\u0131ca t\u00fcrlerinden biri.\u00a0 Osmanl\u0131\u2019n\u0131n toplumsal zenginli\u011finin hayal perdesine yans\u0131m\u0131\u015f \u015fekli olarak de\u011ferlendiren Karag\u00f6z asl\u0131nda bir g\u00f6lge oyunu. Bir tak\u0131m \u015fekillerin arkadan \u0131\u015f\u0131kland\u0131r\u0131lm\u0131\u015f beyaz perdeye yans\u0131mas\u0131 ile hikayele\u015ftirilen g\u00f6lge oyununun en bilineni ise elbette Karag\u00f6z ve Hacivat gelene\u011fidir. Karag\u00f6z\u2019\u00fcn s\u00f6ylenen s\u00f6zleri yanl\u0131\u015f anlamas\u0131ndan kaynakl\u0131 g\u00fcld\u00fcr\u00fcc\u00fc diyaloglara dans ve m\u00fczik e\u015flik ediyor.<\/p>\n

Nevruz\u00a0<\/strong><\/p>\n

Her y\u0131l 21 Mart g\u00fcn\u00fc Farslar, K\u00fcrtler, Zazalar, Azeriler, Anadolu T\u00fcrkleri, Afganlar, Arnavutlar, G\u00fcrc\u00fcler, T\u00fcrkmenler, Tacikler, \u00d6zbekler, K\u0131rg\u0131zlar, Karakalpaklar, Kazaklar gibi farkl\u0131 milletler taraf\u0131ndan geleneksel yeni y\u0131l, do\u011fan\u0131n uyan\u0131\u015f\u0131 veya bahar bayram\u0131 olarak kutlan\u0131yor. Yaz\u0131l\u0131 olarak ilk kez 2. yy’da Pers kaynaklar\u0131nda bahsedilen Nevruz Bayram\u0131 \u0130ran ve Bahai takvimlerinde y\u0131l\u0131n ilk g\u00fcn\u00fc olarak belirtiliyor.<\/p>\n

Not: (Azerbaycan, Hindistan, \u0130ran, K\u0131rg\u0131zistan, \u00d6zbekistan ve Pakistan ile ortak dosya i\u00e7erisindedir.(2009)<\/em>
\n2016 y\u0131l\u0131nda dosya Afganistan, Azerbaycan, Hindistan, Irak, \u0130ran, Kazakistan, K\u0131rg\u0131zistan, \u00d6zbekistan, Pakistan, Tacikistan ve T\u00fcrkmenistan kat\u0131l\u0131m\u0131 ile geni\u015fletilmi\u015ftir.<\/em><\/p>\n

Geleneksel Sohbet Toplant\u0131lar\u0131 (Yaren, Barana, S\u0131ra Geceleri ve di\u011fer, 2010)<\/strong><\/p>\n

Geleneksel sohbet toplant\u0131lar\u0131 asl\u0131nda bir\u00e7ok farkl\u0131 bulu\u015fmay\u0131 kaps\u0131yor. Bu toplant\u0131lar\u0131 Yaran Sohbeti, Yaren Te\u015fkilat\u0131, S\u0131ra Gecesi, K\u00fcrs\u00fcba\u015f\u0131 Sohbeti, Barana Sohbetleri, C\u00fcmb\u00fc\u015f, Delikanl\u0131 \u00d6rg\u00fct\u00fc, Gen\u00e7ler Heyeti, Gezek, Kef\/ Keyif, Muhabbet, Oda Te\u015fkilat\u0131, Oturmah, S\u0131ra Yarenleri, Erfene\/Arfane, Gezek, Erfane\/Gezek, S\u0131ra Gecesi\/Herfene, Velime Geceleri olarak gruplamak m\u00fcmk\u00fcn. Her birinin olu\u015fumu ve i\u015fleyi\u015finde gelenekselle\u015fen ve yaz\u0131l\u0131 olmayan kurallar mevcut. 5-30 ki\u015fiden olu\u015fan sohbet gruplar\u0131, \u00fcyelerce se\u00e7ilen 3-5 ki\u015filik bir ekip ya da ba\u015fkan taraf\u0131ndan y\u00f6netiliyor. 15.16 ya\u015f \u00fczeri erkeklerin kat\u0131ld\u0131\u011f\u0131 geleneksel sohbet toplant\u0131lar\u0131nda belirli bir etnik grup veya inan\u00e7 zorlulu\u011fu bulunmuyor. D\u00fcr\u00fcstl\u00fck, s\u0131r saklama ve b\u00fcy\u00fcklere sayg\u0131 gibi temel de\u011ferlerin \u00f6n panda oldu\u011fu toplant\u0131larda ama\u00e7 sohbet ederek ve e\u011flenerek zaman\u0131 de\u011ferlendirmek, \u00fclke meselelerini tart\u0131\u015fabilmektir.<\/p>\n

Alevi-Bekta\u015fi Rit\u00fceli Semah (2010)<\/strong><\/p>\n

Alevi ve Bekta\u015fi inan\u00e7lar\u0131nda cem evlerinde icra edilen semah Z\u00e2kirlerin \u00e7ald\u0131\u011f\u0131 saz e\u015fli\u011finde s\u00f6ylenen s\u00f6zler ile m\u00fczi\u011fin ritmine uyarak yap\u0131lan mistik ve estetik hareketler yaparak Tanr\u0131\u2019ya ula\u015fma yolu olarak \u00f6zetlenebilir. Alevi-Bekta\u015fi topluluklar\u0131n ya\u015fad\u0131klar\u0131 b\u00f6lgelerde samah, zamah, zemah, sema\u011f gibi farkl\u0131 isimlerle de an\u0131lmaya devam ediyor. Geleneksel m\u00fczik k\u00fclt\u00fcr\u00fcn\u00fcn ya\u015fat\u0131lmas\u0131 ad\u0131na \u00f6nemli bir rol \u00fcstlenen semah gelene\u011fi halk edebiyat\u0131 ve topluluk edebiyat\u0131 olarak zenginlik kat\u0131yor.<\/p>\n

K\u0131rkp\u0131nar Ya\u011fl\u0131 G\u00fcre\u015f Festivali (2010)<\/strong><\/p>\n

\"T\u00fcrk<\/strong><\/p>\n

14. y\u00fczy\u0131lda Rumeli\u2019de ortaya \u00e7\u0131kan ve g\u00fcn\u00fcm\u00fcze kadar gelen K\u0131rkp\u0131nar Ya\u011fl\u0131 G\u00fcre\u015fleri d\u00fcnyan\u0131n en eski g\u00fcre\u015f festivalleri aras\u0131nda yer al\u0131yor. E\u015fit \u015fartlar alt\u0131nda belli alan, kural ve zaman i\u00e7erisinde ger\u00e7ekle\u015fen m\u00fccadele sporu olan g\u00fcre\u015f insanl\u0131k tarihinin en eski sporlar\u0131ndan biri. Davet, \u00f6d\u00fcl t\u00f6reni de d\u00e2hil olmak \u00fczere bir\u00e7ok rit\u00fceli bar\u0131nd\u0131ran K\u0131rkp\u0131nar Ya\u011fl\u0131 G\u00fcre\u015fleri 650 y\u0131ll\u0131k bir gelene\u011fi devam ettiriyor.<\/p>\n

Geleneksel T\u00f6ren Ke\u015fke\u011fi (2011)<\/strong><\/p>\n

\u00d6zel g\u00fcn ve t\u00f6renlerin simgesi olan t\u00f6ren ke\u015fke\u011fi gelene\u011fi yap\u0131m ve t\u00fcketim rit\u00fceli ile kolektif bir bilin\u00e7 ta\u015f\u0131yor. Malzemelerin imece usul\u00fc kad\u0131n ve erkeklerin bir arada haz\u0131rlamas\u0131, ke\u015fkek bittikten sonra hep birlikte t\u00fcketilmesi dayan\u0131\u015fma k\u00fclt\u00fcr\u00fcn\u00fcn bir \u00f6rne\u011fidir. Yeme\u011fin ana malzemeleri olan bu\u011fday ve etin uzun saatler belirli bir ritimde kar\u0131\u015ft\u0131r\u0131larak pi\u015firilmesi de ke\u015fkek gelene\u011finin bir sembol\u00fcd\u00fcr. Payla\u015f\u0131m, i\u015f birli\u011fi, sosyal birliktelik t\u00f6ren ke\u015fke\u011fi gelene\u011finin en k\u0131ymetli \u00f6zelliklerinden.<\/p>\n

Mesir Macunu Festivali (2012)<\/strong><\/p>\n

G\u00fcn\u00fcm\u00fczde bahar\u0131n ba\u015flang\u0131c\u0131 olarak kutlanan Nevruz haftas\u0131nda ger\u00e7ekle\u015ftirilen Mesir Macunu Festivali 400 y\u0131ll\u0131k bir zamand\u0131r Manisa’da d\u00fczenleniyor. Mesir Macunu Festivali’nin ba\u015flang\u0131c\u0131 ise Kanun\u00ee Sultan S\u00fcleyman\u2019\u0131n annesi Hafsa Sultan’\u0131n rahats\u0131zl\u0131\u011f\u0131na dayan\u0131yor. Manisa’da nedeni anla\u015f\u0131lamayan bir hastal\u0131\u011fa yakalanan Hafsa Sultan i\u00e7in Sultan Cami Medresesi\u2019nin ba\u015fhekimi Merkez Efendi, 41 \u00e7e\u015fit bitki ve baharat\u0131n kar\u0131\u015f\u0131m\u0131ndan olu\u015fan bir macun haz\u0131rlar. Bu macun ile sa\u011fl\u0131\u011f\u0131na kavu\u015fan Hafsa Sultan her y\u0131l Nevruz haftas\u0131nda bu macunun halka da da\u011f\u0131t\u0131lmas\u0131n\u0131 talep eder ve b\u00f6ylece Mesir Macunu Festival gelene\u011fi de ortaya \u00e7\u0131km\u0131\u015f olur. \u0130\u00e7erisinde portakal kabu\u011fu, anason, kakule, safran, \u00e7\u00f6rekotu, hardal tohumu, ki\u015fni\u015f, hindistancevizi, karabiber, karanfil, kimyon, ravent, tar\u00e7\u0131n, vanilya, yenibahar, sak\u0131z, zencefil, havl\u0131can, sinameki, rezene gibi bitki ve baharatlar bulunuyor. Festival, Sultan Camii ve K\u00fclliyesi’nde ger\u00e7ekle\u015fmeye devam ediyor.<\/p>\n

T\u00fcrk Kahvesi ve Gelene\u011fi (2013)<\/strong><\/p>\n

\"T\u00fcrk<\/strong><\/p>\n

Geleneksel bir i\u00e7ecek olmakla s\u0131n\u0131rl\u0131 kalmayan kahve k\u00fclt\u00fcr\u00fc sosyalle\u015fme, toplumsal de\u011ferler ve inan\u00e7lar i\u00e7in toplumu bir araya getiriyor. 16.y\u00fczy\u0131lda \u0130stanbul’da kahvehanelerde servis edilmesiyle ba\u015flayan T\u00fcrk kahvesi k\u00fclt\u00fcr\u00fc ve gelene\u011fi sohbet ve payla\u015f\u0131m k\u00fclt\u00fcr\u00fcn\u00fc de bar\u0131nd\u0131r\u0131yor. Misafirperverlik, dostluk, nezaket ve e\u011flence T\u00fcrk kahvesi k\u00fclt\u00fcr\u00fcn\u00fcn en k\u0131ymetli sembolleri aras\u0131nda.<\/p>\n

Ebru: T\u00fcrk K\u00e2\u011f\u0131t S\u00fcsleme Sanat\u0131 (2014)<\/strong><\/p>\n

\"T\u00fcrk<\/strong><\/p>\n

\u0130lk olarak 13.y\u00fczy\u0131lda Orta Asya’da ortaya \u00e7\u0131kan, \u0130ran \u00fczerinden Anadolu’ya yay\u0131lan Ebru formlar\u0131 \u00f6zellikle Osmanl\u0131 d\u00f6neminde T\u00fcrk hat ustalar\u0131 ile yeni formlar kazanm\u0131\u015f. Tekneye al\u0131nan su \u00fczerinde boyalarla olu\u015fturulan desenlerin k\u00e2\u011f\u0131da aktar\u0131lmas\u0131yla yarat\u0131lan Ebru sanat eserinin her biri benzersizdir. Ebru eseri ya\u015fam\u0131n kayna\u011f\u0131n\u0131 temsil eden su, renklerin dans\u0131n\u0131 yans\u0131tan boyalar ve sanat\u00e7\u0131 duygular\u0131 ile bulu\u015farak ortaya \u00e7\u0131kar. Her eser biricik oldu\u011fu i\u00e7in birebir kopyas\u0131n\u0131n yarat\u0131lmas\u0131 ise imk\u00e2ns\u0131zd\u0131r. En b\u00fcy\u00fck \u00f6zelli\u011fi de bu benzersizli\u011fidir.<\/p>\n

\u0130nce Ekmek Yap\u0131m\u0131 ve Payla\u015f\u0131m\u0131 Gelene\u011fi: Lava\u015f, Katr\u0131ma, Jupka, Yufka (2016)<\/strong><\/p>\n

Lava\u015f, katr\u0131ma, jupka, yufka gibi ince ekmek \u00fcr\u00fcnleri Azerbaycan, \u0130ran, Kazakistan, K\u0131rg\u0131zistan ve T\u00fcrkiye halklar\u0131 i\u00e7in yaln\u0131zca bir t\u00fcketim \u00fcr\u00fcn\u00fc de\u011fil ayn\u0131 zamanda d\u00fcnden bug\u00fcne aktar\u0131lan bir payla\u015f\u0131m k\u00fclt\u00fcr\u00fcd\u00fcr. \u00d6zellikle k\u0131rsal kesimlerde toplumsal dayan\u0131\u015fmay\u0131 sembolize eden ince ekmek gelene\u011fi bu b\u00f6lgelerde k\u0131\u015f mevsimi \u00f6ncesi her ailenin kom\u015fular\u0131n deste\u011fiyle haz\u0131rlanmas\u0131yla devam ediyor.
\nNot: Azerbaycan, \u0130ran, Kazakistan, K\u0131rg\u0131zistan ve T\u00fcrkiye ile ortak dosya i\u00e7erisindedir.<\/em><\/p>\n

Geleneksel \u00c7ini Sanat\u0131 (2016)<\/strong><\/p>\n

\"T\u00fcrk<\/strong><\/p>\n

Uygurlara uzanan T\u00fcrk \u00e7ini sanat\u0131, T\u00fcrklerin M\u00fcsl\u00fcmanl\u0131\u011f\u0131 kabul edi\u015finin ard\u0131ndan Karahanl\u0131lar, Gazneliler, Iran ve Anadolu Sel\u00e7uklar\u0131 gibi farkl\u0131 d\u00f6nemlerde \u00f6nemli mimari eserlere de\u011fer katm\u0131\u015ft\u0131r.\u00a0 \u00d6zellikle Anadolu Sel\u00e7uklular\u0131 ve Osmanl\u0131 mimarisinde i\u00e7 mimari ve d\u0131\u015f cephede \u00e7ini unsurlar\u0131 belirleyici olmu\u015ftur. Farkl\u0131 \u00e7ini teknikleri aras\u0131nda Osmanl\u0131 d\u00f6neminde 16. ve 17. y\u00fczy\u0131llarda \u00f6ne \u00e7\u0131kan s\u0131ralt\u0131 tekni\u011fi \u00e7ini sanat\u0131n\u0131n en k\u0131ymetli \u00f6rneklerini olu\u015fturmu\u015ftur. R\u00fcstem Pa\u015fa Camii (1561), Sokullu Mehmet Pa\u015fa Camii (1571), Edirne Selimiye Camii (1575) \u00e7ini sanat\u0131 \u00f6rneklerinin yer ald\u0131\u011f\u0131 en etkileyici mimari yap\u0131lar\u0131m\u0131z aras\u0131nda yer al\u0131yor.<\/p>\n

Bahar Bayram\u0131 H\u0131d\u0131rellez\u00a0<\/strong><\/p>\n

H\u0131drellez g\u00fcn\u00fc H\u0131z\u0131r ve \u0130lyas Peygamberlerin yery\u00fcz\u00fcnde bulu\u015ftuklar\u0131 g\u00fcn olarak kabul edilen H\u0131drellez G\u00fcn\u00fc, eskiden halk aras\u0131nda kullan\u0131lan takvime g\u00f6re k\u0131\u015f\u0131n bitip yaz g\u00fcnlerinin ba\u015flad\u0131\u011f\u0131 g\u00fcn\u00fc temsil eder. 6 May\u0131s g\u00fcn\u00fc k\u0131\u015f mevsiminden yaz mevsimine ge\u00e7i\u015f kabul edilerek H\u0131z\u0131r\u2019\u0131n yery\u00fcz\u00fcne inip zor durumda olan insanlara yard\u0131m etti\u011fi g\u00fcn oldu\u011funa inan\u0131l\u0131r. H\u0131drellez \u00f6ncesindeki haz\u0131rl\u0131klar ve kutlama ile olu\u015fan bir rit\u00fceldir. H\u0131drellez \u00f6ncesi evler temizlenir, yiyecek-i\u00e7ecekler haz\u0131rlan\u0131r. 5 May\u0131s\u2019\u0131 6 May\u0131s\u2019a ba\u011flayan gece g\u00fcl dallar\u0131na bozuk paralar k\u0131rm\u0131z\u0131 atlas keselere sar\u0131larak ba\u011flanarak senenin bereketli ge\u00e7mesi umut edilir ve dilekler yaz\u0131l\u0131r. H\u0131drellez g\u00fcn\u00fc k\u0131\u015f g\u00fcnlerinin biti\u015fi olarak ate\u015f yak\u0131l\u0131r ve hastal\u0131klardan korunmak amac\u0131yla bu ate\u015f \u00fczerinden dua edilerek atlan\u0131r.
\nNot: Makedonya ile ortak dosya i\u00e7erisindedir. (2017)<\/em><\/p>\n

Dede Korkut-Korkut Ata Miras\u0131: K\u00fclt\u00fcr\u00fc, Efsaneleri ve M\u00fczi\u011fi (2018)<\/strong><\/p>\n

O\u011fuz T\u00fcrklerinin bilinen en eski epik destans\u0131 olan Dede Korkut Kit\u00e2b\u0131, y\u00fczy\u0131llar boyu 12 hik\u00e2ye olarak nesilden nesle s\u00f6zl\u00fc aktar\u0131ld\u0131ktan sonra 15. y\u00fczy\u0131lda yaz\u0131ya ge\u00e7irildi. C\u00f6mertlik, cesaret, misafirperverlik, merhamet gibi de\u011ferlerin \u00f6ne \u00e7\u0131kt\u0131\u011f\u0131, toplumsal bar\u0131\u015f in\u015fas\u0131na vurgu yapan hik\u00e2yelerinde yer alan Dede Korkut kahraman\u0131 yar\u0131 efsane olan bir bilgedir.\u00a0 Dede Korkut hik\u00e2yelerini olu\u015fturan masal, hik\u00e2ye, a\u011f\u0131t, efsanelerde anlat\u0131lan toplumsal ve dini de\u011ferler g\u00fcn\u00fcm\u00fczde Malatya s\u00f6zl\u00fc gelene\u011finde ve k\u00fclt\u00fcrel belle\u011finde \u00f6nemli yer tutmaya devam ediyor.
\nNot: Azerbaycan ve Kazakistan ile ortak dosya i\u00e7erisindedir.\u00a0<\/em><\/p>\n

Geleneksel T\u00fcrk Ok\u00e7ulu\u011fu (2019)\u00a0<\/strong><\/p>\n

\"T\u00fcrk<\/strong><\/p>\n

T\u00fcrk boylar\u0131 ve \u0130slami gelenekte \u00f6nemli bir yeri olan ok\u00e7uluk T\u00fcrk milliyet\u00e7ili\u011finde ise milli ve manevi de\u011ferleri temsil ediyor. Sel\u00e7uklular d\u00f6neminde b\u00fcy\u00fck bir geli\u015fim kaydeden ok\u00e7uluk gelene\u011fi Osmanl\u0131 D\u00f6nemi’nde \u00f6zel kurulan kurumlarla en y\u00fcksek seviyesine ula\u015fm\u0131\u015ft\u0131r.<\/p>\n

Acil Koruma Gerektiren Somut Olmayan K\u00fclt\u00fcrel Miras Listesi<\/strong><\/h4>\n

Isl\u0131k Dili (2017)<\/strong><\/p>\n

Do\u011fu Karadeniz’in y\u00fczlerce y\u0131ll\u0131k ileti\u015fim dili olan \u0131sl\u0131k dili halk aras\u0131nda ku\u015fdili olarak da biliniyor. Karadeniz’in sarp ve engebeli da\u011fl\u0131k b\u00f6lgelerinde ya\u015fam\u0131n zorlu\u011fu evlerin konumlanmas\u0131na da yans\u0131yor. Dik yama\u00e7lar \u00fczerine kurulan evler, a\u011fa\u00e7l\u0131k ve da\u011fl\u0131k arazinin g\u00fc\u00e7l\u00fc\u011f\u00fc ileti\u015fimin kolayl\u0131\u011f\u0131, haberle\u015fmenin sa\u011flanmas\u0131 i\u00e7in bir ihtiya\u00e7 do\u011furmu\u015f. Bu ihtiya\u00e7 da as\u0131rlard\u0131r devam eden \u0131sl\u0131k dilini ortaya \u00e7\u0131karm\u0131\u015f. Isl\u0131k dili Ordu’dan Giresun’a, G\u00fcm\u00fc\u015fhane’den Trabzon’a kullan\u0131lmaya devam ediyor.<\/p>\n

travel@julesverne.com.tr<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

UNESCO \u0130nsanl\u0131\u011f\u0131n Somut Olmayan Kültürel Miras\u0131 Listesi….<\/p>\n","protected":false},"author":1,"featured_media":6839,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1],"tags":[],"acf":[],"yoast_head":"\nUNESCO Somut Olmayan K\u00fclt\u00fcrel Miras Listelerinde T\u00fcrkiye - JULES VERNE BUSINESS MICE TRAVEL<\/title>\n<meta name=\"description\" content=\"Y\u00fczy\u0131llard\u0131r s\u00fcregelen ya\u015fam\u0131, payla\u015f\u0131m\u0131, sanat\u0131, beraberli\u011fi simgeleyen bu de\u011ferlerin devaml\u0131l\u0131\u011f\u0131 i\u00e7in bizim ve gen\u00e7 nesillerin de fark\u0131ndal\u0131\u011f\u0131n\u0131n olmas\u0131 \u00e7ok k\u0131ymetli. Biz de Jules Verne olarak somut olmayan k\u00fclt\u00fcrel miraslar\u0131m\u0131z\u0131n korunmas\u0131 bilinciyle bu gelenek ve de\u011ferleri derledik. Aral\u0131k 2019 tarihi itibariyle T\u00fcrkiye\u2019nin Somut Olmayan K\u00fclt\u00fcrel Miras Listeleri'ne kay\u0131tl\u0131 18\u00a0de\u011feri:\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/julesverne.com.tr\/travel-blog\/unesco-somut-olmayan-kulturel-miras-listelerinde-turkiye\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"UNESCO Somut Olmayan K\u00fclt\u00fcrel Miras Listelerinde T\u00fcrkiye - JULES VERNE BUSINESS MICE TRAVEL\" \/>\n<meta property=\"og:description\" content=\"Y\u00fczy\u0131llard\u0131r s\u00fcregelen ya\u015fam\u0131, payla\u015f\u0131m\u0131, sanat\u0131, beraberli\u011fi simgeleyen bu de\u011ferlerin devaml\u0131l\u0131\u011f\u0131 i\u00e7in bizim ve gen\u00e7 nesillerin de fark\u0131ndal\u0131\u011f\u0131n\u0131n olmas\u0131 \u00e7ok k\u0131ymetli. 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Aral\u0131k 2019 tarihi itibariyle T\u00fcrkiye\u2019nin Somut Olmayan K\u00fclt\u00fcrel Miras Listeleri'ne kay\u0131tl\u0131 18\u00a0de\u011feri:\" \/>\n<meta property=\"og:url\" content=\"https:\/\/julesverne.com.tr\/travel-blog\/unesco-somut-olmayan-kulturel-miras-listelerinde-turkiye\/\" \/>\n<meta property=\"og:site_name\" content=\"JULES VERNE BUSINESS MICE TRAVEL\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/JulesVerneBusinessMiceTravel\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-11-03T21:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-03-22T07:24:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/julesverne.com.tr\/wp-content\/uploads\/2021\/02\/semazen.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"999\" \/>\n\t<meta property=\"og:image:height\" content=\"695\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"fikirman\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@JV_BusinessMice\" \/>\n<meta name=\"twitter:site\" content=\"@JV_BusinessMice\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"fikirman\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/julesverne.com.tr\/travel-blog\/unesco-somut-olmayan-kulturel-miras-listelerinde-turkiye\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/julesverne.com.tr\/travel-blog\/unesco-somut-olmayan-kulturel-miras-listelerinde-turkiye\/\"},\"author\":{\"name\":\"fikirman\",\"@id\":\"https:\/\/julesverne.com.tr\/#\/schema\/person\/f4eb0514ae455538644c31b99a466fdb\"},\"headline\":\"UNESCO Somut Olmayan K\u00fclt\u00fcrel Miras Listelerinde T\u00fcrkiye\",\"datePublished\":\"2020-11-03T21:00:00+00:00\",\"dateModified\":\"2021-03-22T07:24:33+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/julesverne.com.tr\/travel-blog\/unesco-somut-olmayan-kulturel-miras-listelerinde-turkiye\/\"},\"wordCount\":2226,\"publisher\":{\"@id\":\"https:\/\/julesverne.com.tr\/#organization\"},\"image\":{\"@id\":\"https:\/\/julesverne.com.tr\/travel-blog\/unesco-somut-olmayan-kulturel-miras-listelerinde-turkiye\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/julesverne.com.tr\/wp-content\/uploads\/2021\/02\/semazen.jpg\",\"articleSection\":[\"Blog\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/julesverne.com.tr\/travel-blog\/unesco-somut-olmayan-kulturel-miras-listelerinde-turkiye\/\",\"url\":\"https:\/\/julesverne.com.tr\/travel-blog\/unesco-somut-olmayan-kulturel-miras-listelerinde-turkiye\/\",\"name\":\"UNESCO Somut Olmayan K\u00fclt\u00fcrel Miras Listelerinde T\u00fcrkiye - JULES VERNE BUSINESS MICE TRAVEL\",\"isPartOf\":{\"@id\":\"https:\/\/julesverne.com.tr\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/julesverne.com.tr\/travel-blog\/unesco-somut-olmayan-kulturel-miras-listelerinde-turkiye\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/julesverne.com.tr\/travel-blog\/unesco-somut-olmayan-kulturel-miras-listelerinde-turkiye\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/julesverne.com.tr\/wp-content\/uploads\/2021\/02\/semazen.jpg\",\"datePublished\":\"2020-11-03T21:00:00+00:00\",\"dateModified\":\"2021-03-22T07:24:33+00:00\",\"description\":\"Y\u00fczy\u0131llard\u0131r s\u00fcregelen ya\u015fam\u0131, payla\u015f\u0131m\u0131, sanat\u0131, beraberli\u011fi simgeleyen bu de\u011ferlerin devaml\u0131l\u0131\u011f\u0131 i\u00e7in bizim ve gen\u00e7 nesillerin de fark\u0131ndal\u0131\u011f\u0131n\u0131n olmas\u0131 \u00e7ok k\u0131ymetli. 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